A new collection from an audacious, humorous poet celebrated for his "sky-blue originality of utterance" (Dwight Garner, The New York Times)
Michael Robbins's first two books of poetry were raucous protests lodged from the frontage roads and big-box stores of off-ramp America. With Walkman, he turns a corner. These new poems confront self-pity and nostalgia in witty-miserable defiance of our political and ecological moment. It's the end of the world, and Robbins has listened to all the tapes in his backpack. So he's making music from whatever junk he finds lying around.
About the Author
Michael Robbins now lives in New Jersey. He is the author of Walkman and two previous poetry collections, Alien vs. Predator and The Second Sex, and Equipment for Living: On Poetry and Pop Music, a volume of essays, as well as the editor of Margaret Cavendish, a selection of the duchess’s poems. He is an associate professor of English at Montclair State University.
Praise for Walkman:
“Walkman works in the blunt, epic, bouillon ways of the pop song, unapologetically understandable and generally brief . . . demonstrative and good-natured . . . For Robbins, salvation is found more often in music than in any other vernacular construction with access to the transcendent.” —Sasha Frere-Jones, Poetry Foundation
“Walkman displays a depth born out of experience . . . Robbins’s quicksilver wit hasn’t abandoned him . . . Walkman does have radically new notes, though. The tone is, like [James] Schuyler, more tender. Language still riots, but these poems offer the record of a lonesome, sad, at times hopeful soul.” —Commonweal
“Robbins has perfected the art of Marxist miserabilism in verse, allowing himself a measure of self-pity and nostalgia (and even some unorthodox faith) in the face of political and ecological catastrophe. Still militantly funny, still the realest.” —Drawn & Quarterly
“In Walkman, poetry and pop music do the job of sustaining some kind of attachment to life within an existence that often feels unsustainable.” —Los Angeles Review of Books
“[Walkman] isn't as nostalgic as its title might suggest. It's less noisy, a bit slower-paced, than [Robbins's] earlier work. Several of the longer poems sit somewhere between Wordsworth and Frank O'Hara, and they manage to be inward even when their gaze turns outward. Robbins knows about the trickiness of words, too: 'I'm / sorry language is a ship / that goes down / while you're building it.' Poetry like this helps keep us afloat.” —Bill Manhire, New Zealand Herald
"Much of [Walkman] really is very funny, in a dour way. But it is also a gentler, more wounded book than I anticipated, and at times it gives wonderfully homely (in a good sense) voice to a sense of impending doom and a longing for a safe and quiet shelter from the storm. And yet, in the end, there’s a hopefulness in these poems too—or at least a faith in the possibility of hope, and in fact of love. At times, I felt as if what I was reading was as much private prayer as public performance. It is a genuinely moving collection." —David Bentley Hart, author of That All Shall Be Saved and The Experience of God
“The title poem sets a wistful, reflective, almost spiritual tone in a collection that addresses such serious subjects as heaven, hell, and faith with humor and self-deprecation . . . Robbins is a master satirist, whether he's pontificating on the environment, the behavior of today’s youth, or his allergies, and he does it with a nod to taking things less seriously even as the apocalypse approaches.” —Booklist