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Leni Zumas' writing hums with an energy that I can't quite put my finger on except to say that I didn't want to put this book down. One could begin to talk about this novel through its premise: abortion has been made illegal, personhood is now declared at conception, in vitro fertilization is also illegal as a result. But it feels truer to start talking about this novel with its characters, to say that Red Clocks is about four women leading their lives in a small town, much the same way that I am leading a life in a small town. Their lives are vastly different from each other's, but what they share is that they are all in one way or another trapped by their circumstances, longing for freedom under a system defined by the absence of choice. I loved these characters, felt their heartbreak and their frustrations and desires in such a deep way. Brilliant and nuanced, Red Clocks is a fiercely feminist exploration of the multitude of ways in which women seek meaningful lives under the limits of a patriarchal system that is dangerously close to our own.— From Kelsey's Picks
Five women. One question. What is a woman for? In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom. Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eiv r, a little-known 19th-century female polar explorer. Susan is a frustrated mother of two, trapped in a crumbling marriage. Mattie is the adopted daughter of doting parents and one of Ro's best students, who finds herself pregnant with nowhere to turn. And Gin is the gifted, forest-dwelling herbalist, or "mender," who brings all their fates together when she's arrested and put on trial in a frenzied modern-day witch hunt. RED CLOCKS is at once a riveting drama, whose mysteries unfold with magnetic energy, and a shattering novel of ideas. In the vein of Margaret Atwood and Eileen Myles, Leni Zumas fearlessly explores the contours of female experience, evoking THE HANDMAID'S TALE for a new millennium. This is a story of resilience, transformation, and hope in tumultuous-even frightening-times.