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"And this was perhaps the first time in my life that death occurred to me as a reality. I thought of people before me who had looked down at the river and gone to sleep beneath it... But the silence of the evening, as I wandered home, had nothing to do with that storm, that far off boy. I simply wondered about the dead because their days had ended and I did not know how I would get through mine."
Baldwin reminds us of all the things that make Queer love difficult - Shame - notedly, and of the fights fought before us and the ones we fought ourselves.— From Ashley
“If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one.” —Michael Ondaatje
“A young American involved with both a woman and a man. . . . Baldwin writes of these matters with unusual candor and yet with such dignity and intensity.” —The New York Times
“Absorbing . . . [with] immediate emotional impact.” —The Washington Post
“Mr. Baldwin has taken a very special theme and treated it with great artistry and restraint.” —Saturday Review
“Exciting . . . a book that belongs in the top rank of fiction.” —The Atlantic
“Violent, excruciating beauty.” —San Francisco Chronicle
“To be James Baldwin is to touch on so many hidden places in Europe, America, the Negro, the white man —to be forced to understand so much.” —Alfred Kazin
“This author retains a place in an extremely select group; that composed of the few genuinely indispensable American writers.” —Saturday Review
“He has not himself lost access to the sources of his being —which is what makes him read and awaited by perhaps a wider range of people than any other major American writer.” —The Nation
“He is thought-provoking, tantalizing, irritating, abusing and amusing. And he uses words as the sea uses waves, to flow and beat, advance and retreat, rise and take a bow in disappearing . . . the thought becomes poetry and the poetry illuminates thought.” —Langston Hughes
“He has become one of the few writers of our time.” —Norman Mailer